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I just love the way she runs during the intro song. When she gets into her work, she becomes a sort of OL superhero who gives 110% to work. Now in Hatarakiman, she plays Matsutaka Hiroko aka Hatarakiman an editor of a weekly magazine. The best thing about the Hataraki transformation is the reaction of the others.

The depth she brough to that character was amazing. Sort of similar to Hataraki man, her role was a lawyer who had to choose between a bright future and the right thing. Perhaps she just needed a juicy role instead of her usual chick in distress roles. Watashitachi no Kyokasho was the first time I thought Kanno Miho was pretty good. There are only two, maybe three jdorama actresses I consider great. To me, she was a decent actress but not great. I enjoyed Iguana no Musume, Koi ga Shitai and Itoshi Kimi E. Its as if the writer has a list of issues working women face and just ticks them off. The problem is all of them are very pedestrian. Another dorama about a working woman? I've seen too many of them, from Brand to numerous Shinohara Ryoko shows. When I first heard about Hataraki man, I was kinda turned off. While still better than crap like First Kiss and Last Friends, Hachi-One would be unwatchable for me without Naka Riisa. Sigh, if I can go back in time I'd try to at least force Gainax to let Shinji grow some balls and stop his whining in Eva.īack to Hachi-One. What happened to the generic nice guy main characters?!!! Why must main characters be so pussified and sensitive? I'm not asking for Golgo 13 but Shinji has eliminated clear cut masculine/feminine roles.

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On a side note, watched the new Eva movie last week and OMFG, I hate Shinji for what he's done to anime/manga main characters. Kinda lost count of how many times he's cried in two episodes. My main problem with the show is how Ikari Shinji like Kentaro is: ie an emo and a wimp. Kentaro, (the main character) has no idea how lucky he is. Heaven is being able to call a bust and moe maid to clean your room. Hachi-One has revealed to me the secret of heaven.

Its all about the eyes, the sort of blank look with slight nodding of head. If there were maids like her in every country there would be no wars. Technically, she's not super hot but OMFG, she can probably kill people with her moe-ness. Everytime she is on screen my happiness index just goes through the roof. OMFG, she is so fucking moe I cannot stand it. However, this show has one very good thing going for it: Naka Riisa as Akiba no Ukeshi/Miroko. I kinda had high hopes for the show but quickly realised not every midnight dorama can be Liar Game. Basically, we have a student-mistress show where the mistress is also the maid of the student. Dejected he goes home and calls a maid cleaning service only to find that Akiba no Ukeshi works as a maid as well. One day, he challenges Akiba no Ukeshi (Naka Riisa)and is completely defeated.

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In Hachi-One, Kentaro is a Shogi player who failed his pro exams and currently gambles on Shogi for a living. I'd certainly like to do a few things if I were Kentaro. HikaGo showed that any competitive event can captivating. One of my favourite mangas ever is Hikaru no Go which is also about a board game. Hachi-One diver intrigued me cause its about Shogi.

And of course the extra fan service that these shows always have since they do not need to cater to families. Its all about enjoying shows that are so bad that they're good. It might be his inner feeling just before his death that is being sung in this song.I love midnight doramas cause there is no expectation of decent writing or good acting. He, however, committed a suicide this year. The composer of this song, leader of the band as well, Kazuhiko Kato has played a prominent role in Japanese pop music ever since. This sad ballad, whose lyric is written by a famous Japanese poet, Hachiro Sato, sings about an anxious mind of adolescence. Among such groups was the Folk Crusaders. Young people imitated its style and many folk singers or bands appeared. American folk music was one of the most influential. In the postwar Japan, young generation had grown very fond of Western pop music. It is not traditional Japanese folk music. When we Japanese say “folk music”, we refer to western style folk music, mostly influenced by American folk or country music. It was a big hit by a group called Folk Crusaders In 1960’s. The first Japanese song I’d like to introduce in this blog is an old Japanese folk song Kanashikute Yarikirenai (Too sad to go on).

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